Loosely connected scenes in the life of a young student.

Six sequences about Fascism and its segments throughout history.

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An easel appears, and soon after a canvas "walks" up from the floor of its own accord and takes its place on the easel. Now an artist's portfolio is seen, it opens up and different parts of a sketch which are enclosed therein, mysteriously fly from it upon the canvas until finally all the parts resemble the image of a man. When completed, the picture becomes animated and comes down upon the ground and engages in some merry antics with its own skeleton which shortly after is changed into a lady. After frolicking around for an interval, the man is changed to a sketch on the canvas; then it begins to dismember itself, one portion at the time. After all the parts of the sketch are in the portfolio, it folds itself up; then the animated person appears from some mysterious source and carries off the portfolio in which his own image is enclosed.

Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)

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A couple in a long-distance relationship reunite for a road trip through Sri Lanka. Things go awry.

Short vignettes explore different facets of human behavior and social issues.

In three stylistically very different parts, it deals with various forms of escapism in a society that has become blind to the violence that is eroding it from within. Made shortly before the 1980 military coup, Üç Bölümlü Kısa Film was bound to appear to contemporary audiences as a courageous plea for civil disobedience.

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